![]() Jack has even been given an Indiana Jones-like flaw: He’s “not wildly keen on heights,” which is a sticking point for a guy about to scale the Everest of vegetable vines. ![]() We’ve seen a bunch of approaches that didn’t come off, from a kinky twist on “Red Riding Hood” to a violent “Hansel & Gretel” to whatever Kristen Stewart was supposed to be doing when she wasn’t moping in last year’s “Snow White.” But “Jack” is based on the idea that fairy-tale stories are timeless because they have humor and adventure and likable people fighting against long odds.īoth Hoult, who was equally good in “Warm Bodies” last month, and Tomlinson are enormously appealing as modest, spunky thrill seekers. A new Deadline report suggests that Disney has acquired Beanstalk, a new revisionist take on the classic English folk tale of Jack and the Beanstalk. The opening scenes set dreamy Jack and headstrong Princess Isabelle (Eleanor Tomlinson) on parallel paths, so when they meet by chance, it’s only a matter of time before they unite to battle giants who threaten their peaceful kingdom.Īn adventure told with wit and intelligence, “Jack the Giant Slayer” is a pleasure because its creators figured out how to make fairy tales work at the movies. The action-packed movie plays out like a series of miniquests, which take Jack (Nicholas Hoult) from childhood on a farm to intrigue at the royal palace and a climb up a magical beanstalk to a land of giants and two wars with those giants and, possibly, to love. Jack, the title character in “Jack the Giant Slayer,” is a Middle Ages lad who craves adventure.
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